Taking pictures
of food and sharing them online through social media has become a new cultural phenomenon. The
trend has become so popular that entire blogs and YouTube channels are now
devoted to food photography. A recently published article in the German
Daily Newspaper Die Welt has,
however, spawned some debate whether taking a picture of an elaborately
arranged dish and posting it online might be illegal in the sense that it
infringes copyright. According to a lawyer cited in that article, food
arrangements are, in principle, copyrightble. If this was in fact the
case, posting food images to social media without permission
could constitute an unauthorized derivative use of a copyrighted work.
The
assumption that elaborate food arrangements are liable to fall within the scope
of copyright protection is based on some recent German jursidprudence. In its
2013 decision “Birthday Train” (Geburtstagszug), the German Federal Court of
Justice (I ZR 143/12) lowered
the threshold of originality traditionally required for obtaining copyright
protection in the applied arts.
Since that decision, the requirements to be
placed on the copyright protection of works expressing both aestheticism as
well as utilitarian aspects are no different from works of purpose-free art
(i.e. museum type art), literature or music. The Court concluded that in
order for works of applied art to be protected under copyright law, they
require a degree of creativity that would allow the piece to be called an
“artistic” performance from the point of view of a public open to art and
sufficiently skilled in ideas of art. Consequently, the decisive question
when judging copyrightability is whether an elaborate food arrangement came
into being through personal intellectual creation, section 2 para. 2 of
the German Copyright Act (UrhG).
A personal intellectual
creation, in turn, requires freedom that the creator uses for
expressing his creativity in an original manner. Even though, food
is ultimately meant to be eaten, not all features of its appearance
are dictated by its intended purpose. Rather, food arrangements may
comprise elements that do not contribute to the utilitarian aspects of how
food appears on a plate. For example, chefs can exercise a certain
amount of freedom when it comes to choosing color combinations, along
with textures, layering and placement. Because not all features of
appearance are dictated by the utilitarian aspects of food design, elaborate
food arrangements might constitute an original work, provided, they are
perceived as artistic by the relevant public.
Conclusion
While the majority of
everyday food preparations will most likely not enjoy copyright
protection, the possibility may not be ruled out that, in limited
circumstances, copyright may subsist in a food presentation or plating
arrangement. Thus, posting photographs which merely depict artistic food
arrangements without contributing an element of creativity on their own
might infringe upon the exclusive rights of the copyright holder. It goes
without saying, however, that it can be difficult to draw the line between an
artistic dish and one that is simply well presented.
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